Thurs 14th.
On Friday I sat through the footage we had got and split each interviewees answers into seperate seperate blocks according to what I thought would work best. I then started to pair some of them ready for the proper editing, for eg. Erik talking about how all of our fans wear the club strip, and Ivor talking about how the sponsors pay a lot to be on our shirt. After doing this I used the DV deck and DVD player to capture footage from DVD's that we planned to use to break up the interviews. This was harder than expected as there was no audio when trying to capture, it only playedback afterwards, making it quite difficult in spotting when to cut in and out.
Fri 15th and Sat 16th.
We started editing on Matt's Apple Mac and Final Cut Express at around 4 o'clock in the afternoon, continuing through to 1.30 in the morning, where we had got the skeleton done and had started filling it out considerably. We began again at 11.30 and worked through to about 2.30, when we then went to find a projector in the Beacon building to see what it would look like; overall impressed with the final version.
We took so long because we thought about every single frame and shot. We started with 3 black and white pictures with cross-transitions between them that lead into 2 short clips. We made 1 of these desaturated to start off and slowly changed it to full colour, so that the transition from black and white to colour would be a smooth one. We decided not to put any audio with the start leading in to the text on WFC's move because we felt that a soundtrack would only be needed if it wasn't clear what the pictures where conveying. Just before the end of the text on the screen, we overlapped some audio "I think we can well and truley say..." before cutting to the footage accompanying it finishing "AFC Wimbledon is born". This like so many other decisions we made was to ease the transition.
When going straight from one interview to another, we made sure there was a gap with the interviewee not speaking either at the end of the first one, or at the start of the second one, as we found that otherwise it looked unprofessional as ones person speech would merge with another.
The goals we show are a progression through time as AFC Wimbledon, and usually have some significance to the interview before or after. When Erik talks about crowd, 1 of the goals finishes with a pan across a cheering crowd. When Ivor talks about getting to the conference and playing in games of real important, we overlap a bit of his audio with the FA Trophy game away to Gravesend and Northfleet in the FA Trophy last year, with us winning 2-0 against a team from the Conference, 2 leagues higher than us.
Since we're creating a feel good piece that shows that the fans having got something wonderful, we included brilliant goals as we thought it would enthral the audience more (of which, being in the Midlands, we assumed a lot of football fans would be used to higher quality football with Aston Villa, Birmingham, Walsall). We edited them in the same style as Soccer AM when they say "Later the goals from the Championship" with quick goals one after the other, as this is a extremely popular show that people may make the connection with and so enjoy.
We used the song at the end, by Fat Man Scoop, as we felt that it would stick in peoples heads as it is incredibly catchy, so if people sing the "AFC Wimbledon" part they will remember our documentary.